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    <updated>2012-01-10T13:57:20Z</updated>
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<entry>
    <title>Flash Focus: We Sneak a Peek at Eric Bosse&apos;s Magnificent Mistakes</title>
    <link rel="alternate" type="text/html" href="http://flashfiction.net/2012/01/flash-focus-eric-bosse.php" />
    <id>tag:flashfiction.net,2012://1.445</id>

    <published>2012-01-10T11:00:00Z</published>
    <updated>2012-01-10T13:57:20Z</updated>

    <summary>FlashFiction.Net provides a sneak peek inside the world of Eric Bosse&apos;s collection MAGNIFICENT MISTAKES.</summary>
    <author>
        <name>Randall Brown</name>
        <uri>http://flashfiction.net/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1&amp;id=1</uri>
    </author>
    
        <category term="Flash Focus" scheme="http://www.sixapart.com/ns/types#category" />
    
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        <![CDATA[<br /> <img alt="Magnificent Mistakes Cover.jpg" src="http://flashfiction.net/Magnificent%20Mistakes%20Cover.jpg" width="240" height="360" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" />
<a href="http://www.amazon.com/Magnificent-Mistakes-Eric-Bosse/dp/0983598290/ref=sr_1_3?s=books&ie=UTF8&qid=1322496767&sr=1-3">
Book Description</a>: In <em>Magnificent Mistakes</em> the world shifts and turns otherworldly in a series of short stories and flash fictions. Readers will find these nineteen stories beautifully strange and evocative, notes Kathy Fish, author of Together We Can Bury It and Wild Life, who provided comments for the book cover. Inhabited by oddballs, lovers, ghosts, and runaways, the world Bosse creates is full of the unexpected, of chance encounters, and the vast and moving struggles of misfiring hearts. The book features an imaginative cover by George Migash that has echoes in the interior format.<br clear="all">
<p>&nbsp;<p>
[<strong>Editor's Note</strong>: Below is a reprint from Bosse's collection, a reprint that gives a hint of the wonder and surprise that haunt this collection from beginning to end].
<p>&nbsp;<p>
<blockquote><strong>HOUSE OF GHOSTS</strong>
<p><p>
The blue Victorian at 1145 White Street shifts in its foundation, creaks, and settles in for the night. The boys are bundled into their beds. My wife, too, has gone to sleep. I'm alone in the kitchen, steeping chamomile tea, coughing phlegm into the lines of my palms. Toast crumbs on the table shiver when I exhale. The refrigerator groans. The candle pops. The back door swings open, and the ghost of my father's lover stands there in the moonlight.
I offer him tea. He accepts and smiles as if death were an exquisite pleasure. I pour hot water into a World's Best Mom mug and tell him it's been five days since the night my wife called me David. I was kissing her breast, and I saw her lips as she whispered it: Oh, David. Her eyes bloomed with the horror of her mistake. Her cheeks turned pink then a pale green. 
<p><p>
David, I asked. Who is David?
<p><p>
My father's lover's ghost takes his tea with honey and sips with his pinkie extended. I ask if my father was passionate in bed. 
<p><p>
The ghost's gaze trails toward the knife block and the spice rack. He sets down his tea and beckons me to follow. We walk to the back porch. The boards squeak beneath my feet but not his. 
<p><p>
Outside, in the yard, everything is gray?--?the moon, the stars, the decrepit fence. And other silver ghosts are there. My grandfather, in a powder-blue polyester coverall suit, plucks cherries from a branch of my wife's apple tree. My childhood dog Farrell?--?half mutt, half beagle?--?naps at my feet. My high school football coach, Butch Stuemke, stands with his arms wrapped around the keg of his chest, watching me, waiting for me to throw a block or catch a pass, to do something, anything.
<p><p>
My father's lover's ghost puts a hand on my shoulder and presses me to take a seat on the steps. He sits behind me, cradles me, and whispers that I am brave to go on living. I rest my head in his lap, and for the first time in five nights I drift toward sleep.
Did he ever talk about me? I ask.
<p><p>
Oh, all the time, the ghost says. He never stopped. You were the most lovable kid in the world. You were his cupid, his darling boy, his perfect little cherub.
<p><p>
I shut my eyes. Something moves in the grass. The ghost strokes my hair. I keep wondering if it will rain.
<p>&nbsp;<p>
<div style="text-align: right;"></div>"House of Ghosts" was originally published in Salt Flats Annual, and appears here with the permission of the author.
<div style="text-align: center;">_______________</div>
</blockquote>
<a href="http://everythingisbeautifulandnothinghurts.blogspot.com/">Eric Bosse</a> is a fiction writer, poet, essayist, recovering journalist, and occasional film-maker. His stories have appeared in <em>The Sun</em>, <em>Mississippi Review</em>, <em>Zoetrope</em>, <em>Exquisite Corpse</em>, <em>Wigleaf</em>, and <em>Night Train</em>, among other journals. His poems and essays rarely appear, but those dark years as a newspaper arts critic still haunt his nightmares. <a href="http://www.ravennapress.com/books/title.php?tid=20033">Ravenna Press</a> published his story collection, <a href="http://www.amazon.com/Magnificent-Mistakes-Eric-Bosse/dp/0983598290/ref=sr_1_3?s=books&ie=UTF8&qid=1322496767&sr=1-3"><em>Magnificent Mistakes</em></a>, in the fall of 2011. Eric lives in Norman with his family and teaches writing at the University of Oklahoma.]]>
        
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<entry>
    <title>Flash Collection: Stripped Twists Gender Expectations</title>
    <link rel="alternate" type="text/html" href="http://flashfiction.net/2012/01/flash-collection-stripped-twists-gender-expectations.php" />
    <id>tag:flashfiction.net,2012://1.446</id>

    <published>2012-01-09T14:23:23Z</published>
    <updated>2012-01-09T14:29:30Z</updated>

    <summary>STRIPPED is a collection of gender-twisting &quot;anonymous&quot; flash fictions.</summary>
    <author>
        <name>Randall Brown</name>
        <uri>http://flashfiction.net/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1&amp;id=1</uri>
    </author>
    
        <category term="Flash Focus" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="flashfictioncollection" label="flash fiction collection" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://flashfiction.net/">
        <![CDATA[<img alt="Stripped-Front-Cover-Only.jpg" src="http://flashfiction.net/Stripped-Front-Cover-Only.jpg" width="320" height="320" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /><strong>Book Description from <a href="http://psbooks.wordpress.com/">PS Books</a></strong>: <em>Stripped</em> is a collection with a twist. Yes, the fiction contained herein includes works from some of the best-known names in flash fiction as well as the work of emerging writers, but the bylines have been removed so you can't tell who wrote what. What's more, the stories hinge largely on gender roles&#8212;but with the authors' identities stripped from their stories, editor Nicole Monaghan has created a bit of a guessing game. Did a woman, for example, write that piece about ambivalence toward motherhood? Or was it a man? More to the point, does it really matter? Or is there something bigger going on when men and women stretch their minds and imagine what it might be like to be the other? Authors include Meg Tuite, Michelle Reale, Myfanwy Collins, Tara L. Masih, Marc Schuster, Michael Martone, Nathan Alling Long, and Curtis Smith.
<p><p>


Available at <a href="http://www.amazon.com/Stripped-Nicole-Monaghan/dp/1105118401/ref=sr_1_1?ie=UTF8&qid=1326119081&sr=8-1">Amazon</a>.]]>
        
    </content>
</entry>

<entry>
    <title>2011 OED New Word Flash Prompt</title>
    <link rel="alternate" type="text/html" href="http://flashfiction.net/2012/01/2011-oed-new-word-flash-prompt.php" />
    <id>tag:flashfiction.net,2012://1.444</id>

    <published>2012-01-06T14:38:17Z</published>
    <updated>2012-01-06T14:47:27Z</updated>

    <summary>The OED adds an average of 4,000 words every year. FlashFiction.net has whittled the list down to about ten prompt-friendly selections. </summary>
    <author>
        <name>Richard Grohowski</name>
        <uri>http://flashfiction.net/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1&amp;id=207</uri>
    </author>
    
        <category term="Flash Prompt" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="flashprompt" label="flash prompt" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://flashfiction.net/">
        <![CDATA[We can't put a wrap on the new dictionary words for 2011 without paying homage to the official keeper of the mother tongue, the Oxford English Dictionary (or, to those in the know, the OED). The OED adds an average of 4,000 words every year. FlashFiction.net has whittled the list down to about ten prompt-friendly selections. 
<p>&nbsp;<p>
Your mission: <strong>Write a flash using at least five of the following words</strong> (a few are texting acronyms, so we're counting them as one list entry). 
<p>&nbsp;<p>
<strong>brain candy</strong> n. Broadly appealing, undemanding entertainment which is not intellectually stimulating. OED already has eye-candy and ear candy. [1968]
<p>&nbsp;<p>
<strong>earworm</strong> n  A catchy tune or piece of music which persistently stays in a person's mind, esp. to the point of irritation. [1991; earlier senses, meaning 'an earwig' and 'a counsellor who gives advice in secret' date to 1598 and before 1670 respectively]
<p>&nbsp;<p>
<strong>muffin top</strong> n. 1. The top of a muffin; spec   part which rises above the rim of the tin or cup during baking; (now also) a type of muffin intended to resemble this, baked in a specially designed tin with shallow depressions.  2. slang. A roll of flesh which hangs visibly over a person's (esp. a woman's) tight-fitting waistband.
<p>&nbsp;<p>
<strong>OMG</strong> [OMG int. (andn.) and adj.]: 'Oh my God' (or sometimes 'gosh', 'goodness', etc.).
<p>&nbsp;<p>
<strong>LOL</strong> [LOL int. and n./2]: 'laughing out loud'
<p>&nbsp;<p>
<strong>FYI</strong> phr., adj., and n. For your information (typically preceding or following an explanatory statement).
<p>&nbsp;<p>
<strong>tinfoil hat</strong> n.  A hat made from tinfoil.  a  As worn at a party, celebration, etc.  b  With allusion to the belief that such a hat protects the wearer from mind control, surveillance, or similar types of threat.
<p>&nbsp;<p>
<strong>over-accessorized</strong> adj. Chiefly Fashion. Having too many accessories, provided with accessories which are too ostentatious; characterized by overuse of accessories. 
<p>&nbsp;<p>
<strong>zero emission</strong> n  (also zero emissions) Emission of no or very few pollutants; frequently attributive or as adjective, especially in zero-emission vehicle. [1971] n. (also zero emissions) Emission of no or very few pollutants; frequently attributive or as adjective, especially in zero-emission vehicle. [1971]
<p>&nbsp;<p>
<strong>urb</strong> n. An urban area, a city. Frequently contrasted with suburb. [1952]
couch surfing  n. 1. The action or habit of engaging in sedentary activities, esp. watching television. 2. The action or practice of sleeping overnight on a couch (or in similar makeshift accommodations) as a houseguest, esp. in a series of homes (often as a substitute for permanent housing).
<p>&nbsp;<p>
<strong>auto-complete</strong> n.  A software feature that uses text already entered in a given field to predict or generate the characters the user is likely to enter next; familiar to anyone who has used predictive text or search boxes on websites. [First recorded in 1992].
<p>&nbsp;<p>
(Sources: <a href="http://www.oed.com/public/whatsnew/whats-new and http://www.telegraph.co.uk/news/uknews/8168472/Oxford-English-Dictionary-how-the-words-are-chosen.html">http://www.oed.com/public/whatsnew/whats-new and http://www.telegraph.co.uk/news/uknews/8168472/Oxford-English-Dictionary-how-the-words-are-chosen.html</a>)



<p></p><p></p><p><br />
</p><p><strong>About the Author</strong>
</p><p></p><p>
<img alt="RichGrohowski.jpg" src="http://flashfiction.net/Rich._Grohowski.jpg" class="mt-image-left" style="float: left; margin: 0pt 20px 20px 0pt;" height="200" width="150" /><b>Rich Grohowski</b> graduated from Kutztown University with degrees in English and Geography, two things for which no one wants to pay you money. So, naturally, he's hoping to hit the big bucks in flash fiction. Along with recently finishing his Teaching Certification at Immaculata University, he is an <b>MFA in Creative Writing (Fiction) candidate at Rosemont College</b>. His non-fiction writing about food, culture, real estate, and interesting personal histories (pretty much anything, really) has appeared in magazines, newspapers, and even a couple of books.<br clear="all" />
</p><div><br /></div>
<p>
</p><script type="text/javascript" src="http://w.sharethis.com/button/sharethis.js#publisher=05fae6ce-d3cf-4b11-b76a-bb7f8fa7be2b&amp;type=website"></script><p></p>
<p>
</p><p>
For further reading, check out FlashFiction.Net's suggested readings of flash fiction and prose poetry collections, anthologies, and craft books, by clicking <a href="http://astore.amazon.com/flashnet0a-20/">here</a>.
</p><p></p><p>
<a href="http://feedburner.google.com/fb/a/mailverify?uri=Flashfictionnet&amp;loc=en_US">Subscribe to FlashFiction.Net by Email</a></p>
<p></p><p>


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<entry>
    <title>Flash Review: Sudden Flash Youth</title>
    <link rel="alternate" type="text/html" href="http://flashfiction.net/2011/12/sudden-flash-youth.php" />
    <id>tag:flashfiction.net,2011://1.442</id>

    <published>2011-12-22T11:22:43Z</published>
    <updated>2011-12-23T12:16:00Z</updated>

    <summary>A review of SUDDEN FLASH YOUTH, 65 short-short stories, all featuring young protagonists.</summary>
    <author>
        <name>Randall Brown</name>
        <uri>http://flashfiction.net/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1&amp;id=1</uri>
    </author>
    
        <category term="Flash Craft" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="flashfictionreview" label="flash fiction review" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://flashfiction.net/">
        <![CDATA[<img alt="suddenyouth.jpg" src="http://flashfiction.net/suddenyouth.jpg" width="163.5" height="250" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" />&nbsp;<br /><br>&nbsp;<br>My midlife crisis has been nothing like I imagined. No sport cars, life-defying stunts, any desire to be anywhere else but at home. Instead, nostalgia clings to everything. There's  a realization that the past doesn't exist and an equal desire to make it be present. <br clear="all">

In the midst of knowing the impossibility of recovery and yearning for the means to recover all that's been lost, I picked up <em>Sudden Flash Youth</em> (<a href="http://www.perseabooks.com/detail.php?bookID=92">Persea Books</a>, 2011), a collection of 65 short-short stories edited by Christine Perkins-Hazuka, Tom Hazuka, and Mark Budman. How I love these stories! And the short-short, a form that demands stories end as soon as they've begun, feels like the perfect container. Faced with the freshness and suddenness of youth, the world seems unable to do anything but to call on all its forces&#8212;war, mothers, fathers, sisters, brothers, neighbors, bullies, teachers, priests, dysfunction, death, time&#8212;to make it go away, in a flash.
<p>&nbsp;<p>
As a reader, I bring so much archetypal experience to the idea of youth that I felt as if I'd be confronted in this collection, again and again, by what I already knew. Not so. 
<p>&nbsp;<p>
First, there's the wonder of the language. Remember those stars all of us looked up to? Here that night-world becomes "embers of the cigarettes they passed between them" (Shapard, p. 5); "dark as the space between stars" (Bausch, p. 21); "the star-crowded sky" (Bedard, p. 59); "the neighbors' house&#8230;dark and quiet and&#8230;plunked down there under the stars" (Andersen, p. 172). Each story brings its own vision to youth, its own recreation of that world we've all inhabited.
<p>&nbsp;<p>
It's all there&#8212;summers, little brothers and sisters, chalk, notes, the twins, avatars, babies, basketball, parents and their loves, new and old cars, windows and Doors, bracelets, storms, winters, school, ADD, dreams, truths and lies, crushes, dolls, presents, BB guns, rats, dogs, cats, and of course frozen pheasants&#8212;but it's rendered anew, so that the stories evoke both the wonder of the strange and the ache of recollection.
<p>&nbsp;<p>
In "Nothing Gold Can Stay," Frost writes, "So Eden sank to grief, / So dawn goes down to day." I think his point is that it is that quality of the world&#8212;its inability to stay&#8212; that makes things golden. That "golden" quality exists throughout these 65 stories, and I surprised myself with how many times I ended up crying, cracking up, or some version of both.
<p>&nbsp;<p>
Many of the stories end where you might imagine stories with young protagonists to end, with that sense of knowing and unknowing:
<blockquote>
I understood&#8230; (Shapard, p. 5)<br>
I already knew&#8230; (Kearney, p. 8)<br>
I'll know what to say (Painter, p. 9)<br>
You understand, don't you? (Weber, p. 20)<br>
Because you know. (Konisberg, p. 32)<br>
&#8230;you finally understand why&#8230; (Eggers, p. 34)<br>
&#8230;learning the social skills&#8230; (Carlson, p. 37)<br>
&#8230;anyone in the world who knows&#8230; (Mazer, p. 41)<br>
Suddenly I understood&#8230; (Soares, p. 53)<br>
I knew she was&#8230; (Brandeis, p. 61)<br>
He knew [she] couldn't&#8230; (Bacho, p. 75)<br>
"I know," she whispered&#8230; (Hamburger, p. 86)<br>
And you know&#8230; (Levis, p. 91)<br>
I still didn't know&#8230; (Alvarado, p. 101)<br>
For he did know&#8230; (Teicher, p. 105)<br>
&#8230;and I did not know&#8230; (Wolpe, p. 125)<br>
&#8230;everything I know&#8230; (Fanning, p. 141)<br>
And this, she knows&#8230; (Kolosov, p. 151)<br>
I knew it then&#8230; (Andersen, p. 173)<br></blockquote>
<p><p>
Of course, there's that tragic sense to such knowing; as each piece ends, one can hear the Edenic gates clicking forever shut. However, set against that feeling, for me, was the remarkable ability of each author to translate "youth" into something both emotionally resonant and infinitely hopeful. One imagines, thousands of years from now, childhoods still being collected and recollected. One imagines, set against Layden's "You. Don't. Matter" (p. 183) another voice, a kind of mantra against the dark: I am young, I am young, I am young (Beal, p. 17). 
<p>&nbsp;<p>
So, in short-short, I strongly recommend this collection. It's available <a href="http://www.amazon.com/Sudden-Flash-Youth-Short-Short-Braziller/dp/0892553715">here</a>. I hope you end up loving it as much as I do.

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<entry>
    <title>Mad About Flash: Some Snappy Answers to a Stupid Question</title>
    <link rel="alternate" type="text/html" href="http://flashfiction.net/2011/12/mad-flash-fiction.php" />
    <id>tag:flashfiction.net,2011://1.443</id>

    <published>2011-12-20T11:00:00Z</published>
    <updated>2011-12-20T12:33:06Z</updated>

    <summary>A stupid question about flash fiction writing gets some snappy answers.</summary>
    <author>
        <name>Randall Brown</name>
        <uri>http://flashfiction.net/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1&amp;id=1</uri>
    </author>
    
        <category term="Flash Therapy" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="flashfictiontherapy" label="flash fiction therapy" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://flashfiction.net/">
        <![CDATA[<br />Al Jaffee's <a href="http://www.amazon.com/Jaffee-Snappy-Answers-Stupid-Questions/dp/0446350567">Snappy Answers to Stupid Questions</a> for some odd reason seems to be a highlight of my childhood. Here's an Al Jaffee original, revised (of course), and not nearly as good.
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<a href="http://flashfiction.net/assets_c/2011/12/FlashFiction-112.php" onclick="window.open('http://flashfiction.net/assets_c/2011/12/FlashFiction-112.php','popup','width=634,height=481,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false">View image</a>
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<img alt="FlashFiction.jpg" src="http://flashfiction.net/FlashFiction.jpg" width="634" height="481" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" />]]>
        
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<entry>
    <title>Top Ten List: Flash is For the Fearless? Did I Write That? I&apos;m Afraid So</title>
    <link rel="alternate" type="text/html" href="http://flashfiction.net/2011/12/top-ten-list-flash-is-for-the-fearless-did-i-write-that-1.php" />
    <id>tag:flashfiction.net,2011://1.441</id>

    <published>2011-12-19T12:00:00Z</published>
    <updated>2011-12-20T22:48:00Z</updated>

    <summary>A top ten list about just how fearless flash fiction writers can be.</summary>
    <author>
        <name>Randall Brown</name>
        <uri>http://flashfiction.net/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1&amp;id=1</uri>
    </author>
    
        <category term="Flash Therapy" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="flashfictiontherapy" label="flash fiction therapy" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://flashfiction.net/">
        <![CDATA[<br />At some point, in writing about flash fiction, I wrote that flash is for the fearless. Considering that I am not the least bit fearless and I write flash, I imagine there is a syllogism out there that proves I have committed some kind of logical fallacy:<br /><br /><blockquote>All fish can swim.<br>
I can swim.
<br />Therefore, I am a fish.</blockquote>
<p>&nbsp;<p>
Actually, all I remember about logic in college is repeatedly hitting my head with the textbook. I find, though, that I'm not alone in talking about how courageous fiction writers are. And I think really? So here's a top ten list of reasons we might not be as courageous as we sometimes think we might be.
<p>
<p>
<ol reversed="reversed" start="10">
<li>When the talk about my story (if indeed anyone is ever talking about my story) gets too close to the heart of things, I can always yell in frustration, "You idiots! It's fiction!"</li><br />
</ol>
<ol reversed="reversed" start="9">
<li>Rather than confront who is really at the heart of my fears, I sit at a desk making <em>fictional characters</em> go through a series of challenging obstacles. And even that fills me with dread.</li><br />
</ol>
<ol reversed="reversed" start="8">
<li>I could go into battle (i.e., write) or I could go to a conference to hear others talk about their battles (i.e., writing). Like those romantic knights who leave their desks to search for the Grail, I often choose elsewhere, perhaps not realizing that it is the Grail search itself that has made home a wasteland.</li><br />
</ol>
<ol reversed="reversed" start="7">
<li>Carpal tunnel syndrome. Paper cuts. Clove cigarettes. The personal suffering I risk for my art!</li><br />
</ol>
<ol reversed="reversed" start="6">
<li>In submitting, I take the chance of having one or more strangers send me a note that says,"Dear Author, We decided to pass on this piece. We wish you the best of luck in placing it. And please fill out the enclosed contest, lifetime subscription, and charity donation forms." And yet, in spite of such personal rejection, I endure!</li><br />
</ol>
<ol reversed="reversed" start="5">
<li>Every word counts! That's a lot of pressure for us sensitive writerly types. </li><br />
</ol>
<ol reversed="reversed" start="4">
<li>It's one thing when the <em>Atlantic</em> or <em>Tin House</em> rejects you. It's another when<em> You Write We Publish It Journal of Flash</em> says that your flash didn't quite fit as part of an emerging mix.</li><br />
</ol>
<ol reversed="reversed" start="3">
<li>If indeed anxiety is caused by an inability to tolerate uncertainty, then one might argue that I write for as long as I can tolerate the not-knowing, and that, one might argue, isn't very long at all.</li><br />
</ol>
<ol reversed="reversed" start="2">
<li>Is it prose poetry? A story? Instead of deciding, I call it a piece. How's that for going out on a limb of commitment?</li><br />
</ol>
<ol reversed="reversed" start="1">
<li>I am much braver knowing I have that safety pill of &#88;anax in my pocket.</li><br />
</ol>
<img alt="Flash.jpg" src="http://flashfiction.net/Flash.jpg" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" height="81" width="75" />
<p><script type="text/javascript" src="http://w.sharethis.com/button/sharethis.js#publisher=05fae6ce-d3cf-4b11-b76a-bb7f8fa7be2b&amp;type=website"></script></p>
<p>
</p><p>
For further reading, check out FlashFiction.Net's suggested readings of flash fiction and prose poetry collections, anthologies, and craft books, by clicking <a href="http://astore.amazon.com/flashnet0a-20/">here</a>.
</p><p></p><p>
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<p></p><p>


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    </content>
</entry>

<entry>
    <title>Friday Prompt: These Titles Will Get You Flashing</title>
    <link rel="alternate" type="text/html" href="http://flashfiction.net/2011/12/friday-prompt-these-titles-will-get-you-flashing.php" />
    <id>tag:flashfiction.net,2011://1.435</id>

    <published>2011-12-16T12:00:00Z</published>
    <updated>2011-12-08T19:23:58Z</updated>

    <summary>So, choose one, two, or all three titles below and have at it.</summary>
    <author>
        <name>Jim Harrington</name>
        <uri>http://flashfiction.net/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1&amp;id=216</uri>
    </author>
    
        <category term="Flash Prompt" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="flashfictionprompt" label="flash fiction prompt" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://flashfiction.net/">
        <![CDATA[Usually, I come up with titles for my stories after I've written a few drafts. However, the idea for my first published flash came from a prompt providing three titles to choose from. So, choose one, two, or all three titles below and have at it.
<br>&nbsp;<p>
<blockquote><ol>
	<li>Yesterday's Promise (the title of my first published flash)</li><br>
	<li>We Used to Love Each Other</li><br>
	<li>The Bitch and the Boy Scout</li><br>
</ol></blockquote>
&nbsp;<p>
</b></p><p></p><p>
<strong>About the Author</strong> <br /></p><p>
<img alt="jimharrington2.jpg" src="http://flashfiction.net/jimharrington2.jpg" width="108" height="120" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" />Jim discovered flash fiction in 2007, and he's read, written, studied, and agonized over the form since. His <a href="http://sixquestionsfor.blogspot.com/">Six Questions For </a>blog provides editors and publishers a place to "tell it like it is." In his spare time, he serves as the flash fiction editor for Apollo's Lyre (http://apollos-lyre.tripod.com/index.html). You can read his stories <a href="http://jpharrington.blogspot.com/">here</a>.
</p><br clear="all" />
<div><br /></div>
<p>
</p>
<img alt="Flash.jpg" src="http://flashfiction.net/Flash.jpg" width="75" height="81" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" />
<p><script type="text/javascript" src="http://w.sharethis.com/button/sharethis.js#publisher=05fae6ce-d3cf-4b11-b76a-bb7f8fa7be2b&amp;type=website"></script></p>
<p>
</p><p>
For further reading, check out FlashFiction.Net's suggested readings of flash fiction and prose poetry collections, anthologies, and craft books, by clicking <a href="http://astore.amazon.com/flashnet0a-20/">here</a>.
</p><p></p><p>
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<p><p>


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    </content>
</entry>

<entry>
    <title>Top Ten Drawbacks to Being a Flash Fiction Writer</title>
    <link rel="alternate" type="text/html" href="http://flashfiction.net/2011/12/top-ten-drawbacks-to-being-a-flash-fiction-writer-1.php" />
    <id>tag:flashfiction.net,2011://1.438</id>

    <published>2011-12-13T12:50:00Z</published>
    <updated>2011-12-13T15:23:41Z</updated>

    <summary>A top ten list of drawbacks to writing flash fiction.</summary>
    <author>
        <name>Randall Brown</name>
        <uri>http://flashfiction.net/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1&amp;id=1</uri>
    </author>
    
        <category term="Flash Therapy" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="flashfictiontherapy" label="flash fiction therapy" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://flashfiction.net/">
        <![CDATA[<br />
<ol reversed="reversed" start="10">
<li>The blurbs on the back cover are longer than the stories within your collection.</li><br />
</ol>
<ol reversed="reversed" start="9">
<li>No matter what you call these tiny fictions, rising to the top gives you an embarrassing title. King of the Short Short! Queen of the Quickie!</li><br />
</ol>
<ol reversed="reversed" start="8">
<li>Because your significant other is asked what you do and might answer "Flash," you'll most likely have to get used to a shrinking social circle.</li><br />
</ol>
<ol reversed="reversed" start="7">
<li>Writing really tiny things that look like stories but read like poems isn't perhaps the best way to get the world to understand you.</li><br />
</ol>
<ol reversed="reversed" start="6">
<li>Bruce Holland Rogers sums up the all of it in Rose Metal Press's <em>Field Guide to Flash</em>: "Because <strong>flash is so unimportant in establishing a reputation</strong>, I can play."</li><br />
</ol>
<ol reversed="reversed" start="5">
<li><a href="http://storysouth.com/fall2004/shortshorts.html">Jason Sanford</a> won't like you. [Wait, I think that goes in yesterday's <a href="http://flashfiction.net/2011/12/top-ten-perks-of-being-a-flash-fiction-writer.php">Top Ten Perks to Being a Flash Fiction Writer</a>.] </li><br />
</ol>
<ol reversed="reversed" start="4">
<li>Small Word Counts = More Stories = Thousands of Rejections</li><br />
</ol>
<ol reversed="reversed" start="3">
<li>Your <em>Norton Anthology of Hint Fiction</em> reading lasts about 20 seconds. [You do get to joke, "This reminds me of my wedding night." That however will get someone to say, "You should have made that one your Norton piece!"]</li><br />
</ol>
<ol reversed="reversed" start="2">
<li>At a writing conference, when you say that you write flash fiction, you get to have a US Poet Laureate say, "That's good for you. You don't have to write middles and endings." [You know it's bad when a poet is dissing you for writing short stuff.]</li><br />
</ol>
<ol reversed="reversed" start="1">
<li>You'll probably be tempted at some point to animate your flash fiction and post them on YouTube.</li><br />
</ol>
<div><br /></div>
<p>
</p>
<img alt="Flash.jpg" src="http://flashfiction.net/Flash.jpg" width="75" height="81" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" />
<p><script type="text/javascript" src="http://w.sharethis.com/button/sharethis.js#publisher=05fae6ce-d3cf-4b11-b76a-bb7f8fa7be2b&amp;type=website"></script></p>
<p>
</p><p>
For further reading, check out FlashFiction.Net's suggested readings of flash fiction and prose poetry collections, anthologies, and craft books, by clicking <a href="http://astore.amazon.com/flashnet0a-20/">here</a>.
</p><p></p><p>
<a href="http://feedburner.google.com/fb/a/mailverify?uri=Flashfictionnet&amp;loc=en_US">Subscribe to FlashFiction.Net by Email</a></p>
<p><p>


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]]>
        
    </content>
</entry>

<entry>
    <title>Top Ten Perks of Being a Flash Fiction Writer</title>
    <link rel="alternate" type="text/html" href="http://flashfiction.net/2011/12/top-ten-perks-of-being-a-flash-fiction-writer.php" />
    <id>tag:flashfiction.net,2011://1.436</id>

    <published>2011-12-12T12:00:00Z</published>
    <updated>2011-12-09T19:20:45Z</updated>

    <summary>A top ten list for flash fiction writers</summary>
    <author>
        <name>Randall Brown</name>
        <uri>http://flashfiction.net/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1&amp;id=1</uri>
    </author>
    
        <category term="Flash Therapy" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="flashfictiontherapy" label="flash fiction therapy" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://flashfiction.net/">
        <![CDATA[<br />
<ol reversed="reversed" start="10">
<li>You get a lot of great <em>that's what she said</em> moments, such as "I think it should be longer" and "Well, that was quick."</li><br />
</ol>
<ol reversed="reversed" start="9">
<li>You get to walk around singing, "Who writes short shorts We write short shorts They're such short shorts We like short shorts Who writes short shorts We write short shorts."</li><br />
</ol>
<ol reversed="reversed" start="8">
<li>You get to write it, edit it, submit it, get it accepted, and see it published all in the same day.</li><br />
</ol>
<ol reversed="reversed" start="7">
<li>You get to come up with your own name for what you write: <em>compressed fiction</em>, <em>half-pinters</em>, <em>pocket fiction</em>, <em>stingy stories</em>, and so on.</li><br />
</ol>
<ol reversed="reversed" start="6">
<li>You can be judged as major leaguers are: 3 hits out of 10 gets you in the Hall of Fame!</li><br />
</ol>
<ol reversed="reversed" start="5">
<li>Imagine saying you have three-hundred, five-hundred, one thousand pieces published! Imagine how great you must be to accomplish such a thing!</li><br />
</ol>
<ol reversed="reversed" start="4">
<li>I once got paid $500 for 5 fifty-word stories. That's $2 a word. Even Stephen King can't get that.</li><br />
</ol>
<ol reversed="reversed" start="3">
<li>It's like poetry. Only it's prose!</li><br />
</ol>
<ol reversed="reversed" start="2">
<li>It's Internet-ready!</li><br />
</ol>
<ol reversed="reversed" start="1">
<li>You can write endlessly about Hemingway's six-word story: They're baby shoes! Never worn! And they're for freakin' sale! </li><br />
</ol>
<div><br /></div>
<p>
</p>
<img alt="Flash.jpg" src="http://flashfiction.net/Flash.jpg" width="75" height="81" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" />
<p><script type="text/javascript" src="http://w.sharethis.com/button/sharethis.js#publisher=05fae6ce-d3cf-4b11-b76a-bb7f8fa7be2b&amp;type=website"></script></p>
<p>
</p><p>
For further reading, check out FlashFiction.Net's suggested readings of flash fiction and prose poetry collections, anthologies, and craft books, by clicking <a href="http://astore.amazon.com/flashnet0a-20/">here</a>.
</p><p></p><p>
<a href="http://feedburner.google.com/fb/a/mailverify?uri=Flashfictionnet&amp;loc=en_US">Subscribe to FlashFiction.Net by Email</a></p>
<p><p>


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]]>
        
    </content>
</entry>

<entry>
    <title>Friday Flash Prompt: New for 2011</title>
    <link rel="alternate" type="text/html" href="http://flashfiction.net/2011/12/friday-flash-prompt-new-for-2011.php" />
    <id>tag:flashfiction.net,2011://1.434</id>

    <published>2011-12-09T14:51:33Z</published>
    <updated>2011-11-23T15:16:29Z</updated>

    <summary>New words for a new flash!</summary>
    <author>
        <name>Richard Grohowski</name>
        <uri>http://flashfiction.net/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1&amp;id=207</uri>
    </author>
    
        <category term="Flash Prompt" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="flashfictionprompt" label="flash fiction prompt" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://flashfiction.net/">
        <![CDATA[It's almost time for all of the "Whatever of 2011" lists to start showing up. Not to be outdone, FlashFiction.net is putting together a few prompts built around the "New Dictionary Words for 2011." <strong>Write a flash using at least five of the following ten words </strong>(because every end-of-the-year list has to have ten of something in it). Then watch for more new words in the weeks to come.
<p><p>
<strong>Declutter</strong> (verb) : <em>to remove clutter<</em>br>
<strong>petsit</strong> (noun) : <em>to care for a pet during the absence of its owner</em><br>
<strong>defriend</strong> (verb) :<em> to eliminate a personal contact from one's social media account</em><br>
<strong>furson</strong> (noun) : a<em> furry pet (such as a dog or cat) that is treated like a person</em><br>
<strong>upcycle</strong> (verb) : <em>to adapt to a new use; recycle</em><br>
<strong>pocket dial</strong> (verb) : <em>to place a call with a cell phone unintentionally by accidentally dialing while the phone is in one's pocket</em><br>
<strong>detangle</strong> (verb) : <em>to remove tangles from</em><br>
<strong>familyism</strong> (noun) : <em>words or phrases with slightly skewed syntax unique to, and in general use by, a particular family, usually accidentally coined by the children of the family.</em><br>
<strong>textaholic</strong> (noun) : <em>one who sends text messages frequently or compulsively</em><br>
<strong>polterguest</strong> (noun) : <em>a houseguest who reorganizes or moves things without the knowledge or permission of the homeowner causing confusion for the homeowner</em><br>
<p>
<div style="text-align: right;">(Source: <a href="http://www3.merriam-webster.com/opendictionary/">The Merriam-Webster.com Open Dictionary</a>)</div>


<p></p><p></p><p><br />
</p><p><strong>About the Author</strong>
</p><p></p><p>
<img alt="RichGrohowski.jpg" src="http://flashfiction.net/Rich._Grohowski.jpg" class="mt-image-left" style="float: left; margin: 0pt 20px 20px 0pt;" height="200" width="150" /><b>Rich Grohowski</b> graduated from Kutztown University with degrees in English and Geography, two things for which no one wants to pay you money. So, naturally, he's hoping to hit the big bucks in flash fiction. Along with recently finishing his Teaching Certification at Immaculata University, he is an <b>MFA in Creative Writing (Fiction) candidate at Rosemont College</b>. His non-fiction writing about food, culture, real estate, and interesting personal histories (pretty much anything, really) has appeared in magazines, newspapers, and even a couple of books.<br clear="all" />
</p><div><br /></div>
<p>
</p><script type="text/javascript" src="http://w.sharethis.com/button/sharethis.js#publisher=05fae6ce-d3cf-4b11-b76a-bb7f8fa7be2b&amp;type=website"></script><p></p>
<p>
</p><p>
For further reading, check out FlashFiction.Net's suggested readings of flash fiction and prose poetry collections, anthologies, and craft books, by clicking <a href="http://astore.amazon.com/flashnet0a-20/">here</a>.
</p><p></p><p>
<a href="http://feedburner.google.com/fb/a/mailverify?uri=Flashfictionnet&amp;loc=en_US">Subscribe to FlashFiction.Net by Email</a></p>
<p></p><p>


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</p>]]>
        
    </content>
</entry>

<entry>
    <title>Friday Prompt: Anagram Flash</title>
    <link rel="alternate" type="text/html" href="http://flashfiction.net/2011/12/friday-prompt-anagram-flash.php" />
    <id>tag:flashfiction.net,2011://1.433</id>

    <published>2011-12-02T12:00:00Z</published>
    <updated>2011-11-23T15:05:28Z</updated>

    <summary>Raga Man is an anagram for anagram. Mr. Mojo Risin? An anagram for Jim Morrison. This flash fiction prompt asks you to unleash the power of the anagram.</summary>
    <author>
        <name>Richard Grohowski</name>
        <uri>http://flashfiction.net/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1&amp;id=207</uri>
    </author>
    
        <category term="Flash Craft" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="flashfictionprompt" label="flash fiction prompt" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://flashfiction.net/">
        <![CDATA[Poets have long known of <strong>the power of the anagram as a catalyst for a new work</strong>. By moving and shifting the letters in a word or title they find new words and create new meanings. Here's a chance for us prose writers to share a little of the fun and inspiration too.
<p><p>
Pick a word or phrase of between 9 to 11 letters). <strong>Then write a flash based on the new words created by shifting the letters around</strong>. Use as many, or a s few, of the words you find. You can be strict about it, using only those words found in your list. Or you could sprinkle your words around like seasoning.
<p><p>
For the Scrabble challenged, like myself, the Internet is here to save the day. The anagram generator at EasyPeasy.com can <strong>help you find hundreds of words</strong> from which to create your new flash.
<p><p>
<a href="http://www.easypeasy.com/anagrams/input.php?name=">http://www.easypeasy.com/anagrams/input.php?name=</a>
</p><p></p><p><br />
</p><p><strong>About the Author</strong>
</p><p></p><p>
<img alt="RichGrohowski.jpg" src="http://flashfiction.net/Rich._Grohowski.jpg" class="mt-image-left" style="float: left; margin: 0pt 20px 20px 0pt;" height="200" width="150" /><b>Rich Grohowski</b> graduated from Kutztown University with degrees in English and Geography, two things for which no one wants to pay you money. So, naturally, he's hoping to hit the big bucks in flash fiction. Along with recently finishing his Teaching Certification at Immaculata University, he is an <b>MFA in Creative Writing (Fiction) candidate at Rosemont College</b>. His non-fiction writing about food, culture, real estate, and interesting personal histories (pretty much anything, really) has appeared in magazines, newspapers, and even a couple of books.<br clear="all" />
</p><div><br /></div>
<p>
</p><script type="text/javascript" src="http://w.sharethis.com/button/sharethis.js#publisher=05fae6ce-d3cf-4b11-b76a-bb7f8fa7be2b&amp;type=website"></script></p>
<p>
</p><p>
For further reading, check out FlashFiction.Net's suggested readings of flash fiction and prose poetry collections, anthologies, and craft books, by clicking <a href="http://astore.amazon.com/flashnet0a-20/">here</a>.
</p><p></p><p>
<a href="http://feedburner.google.com/fb/a/mailverify?uri=Flashfictionnet&amp;loc=en_US">Subscribe to FlashFiction.Net by Email</a></p>
<p></p><p>


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</p>]]>
        
    </content>
</entry>

<entry>
    <title>Friday Flash Prompt: What&apos;s In a Name?</title>
    <link rel="alternate" type="text/html" href="http://flashfiction.net/2011/11/friday-prompt-whats-in-a-name.php" />
    <id>tag:flashfiction.net,2011://1.432</id>

    <published>2011-11-25T12:00:00Z</published>
    <updated>2011-11-23T15:01:45Z</updated>

    <summary>A flash fiction prompt centered around names.</summary>
    <author>
        <name>Richard Grohowski</name>
        <uri>http://flashfiction.net/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1&amp;id=207</uri>
    </author>
    
        <category term="Flash Prompt" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="flashfictionprompt" label="flash fiction prompt" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://flashfiction.net/">
        <![CDATA[Shakespeare wrote "...that which we call a rose/By any other name would smell as sweet..." But for others, <strong>names are full of meaning and power</strong>. Some cultures believe that a person is imbued with the characteristics implied by their name. Still others believe that knowing a person's "true name" gives you power over them. Actors change their names for mass audience appeal. Parents name their children "Hope" or "Serenity," as a way to magically influence who they might become as adults. Advertisers spend millions of dollars to research and create just the right name for a new product.
<p></p><p>
<strong>Write a flash about naming someone or something</strong>. It could involve naming a baby, a pet, or even a new kind of vacuum cleaner. What is the name and what drives how it was chosen? How will that name affect the recipient, or even the name giver?
</p>
</p><p></p><p><br />
</p><p><strong>About the Author</strong>
</p><p></p><p>
<img alt="RichGrohowski.jpg" src="http://flashfiction.net/Rich._Grohowski.jpg" class="mt-image-left" style="float: left; margin: 0pt 20px 20px 0pt;" height="200" width="150" /><b>Rich Grohowski</b> graduated from Kutztown University with degrees in English and Geography, two things for which no one wants to pay you money. So, naturally, he's hoping to hit the big bucks in flash fiction. Along with recently finishing his Teaching Certification at Immaculata University, he is an <b>MFA in Creative Writing (Fiction) candidate at Rosemont College</b>. His non-fiction writing about food, culture, real estate, and interesting personal histories (pretty much anything, really) has appeared in magazines, newspapers, and even a couple of books.<br clear="all" />
</p><div><br /></div>
<p>
</p><script type="text/javascript" src="http://w.sharethis.com/button/sharethis.js#publisher=05fae6ce-d3cf-4b11-b76a-bb7f8fa7be2b&amp;type=website"></script></p>
<p>
</p><p>
For further reading, check out FlashFiction.Net's suggested readings of flash fiction and prose poetry collections, anthologies, and craft books, by clicking <a href="http://astore.amazon.com/flashnet0a-20/">here</a>.
</p><p></p><p>
<a href="http://feedburner.google.com/fb/a/mailverify?uri=Flashfictionnet&amp;loc=en_US">Subscribe to FlashFiction.Net by Email</a></p>
<p></p><p>


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</p>]]>
        
    </content>
</entry>

<entry>
    <title>Flash Prompt: These First Lines Suggest Both Voice &amp; Story</title>
    <link rel="alternate" type="text/html" href="http://flashfiction.net/2011/11/flash-prompt-these-first-lines-will-suggest-both-voice-story.php" />
    <id>tag:flashfiction.net,2011://1.431</id>

    <published>2011-11-18T14:29:32Z</published>
    <updated>2011-11-18T14:46:23Z</updated>

    <summary>Townsend Walker provides three first line prompts for writing flash fiction.</summary>
    <author>
        <name>Townsend Walker</name>
        <uri>http://flashfiction.net/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1&amp;id=215</uri>
    </author>
    
        <category term="Flash Prompt" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="flashfictionprompt" label="flash fiction prompt" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://flashfiction.net/">
        <![CDATA[<br />Here are three first lines prompts for your consideration in <strong>writing your own flash fictions</strong>:
 <br /><br />

	<blockquote><ol><li>She did her best, but she was young.</li><br /><li>"If I should die before I wake"</li><br /><li>Two hundred is the number of my children they say; myself, I have lost count.</li></ol></blockquote>
	
	

 

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</p><p><strong><br /></strong></p><p><strong>About the Author</strong> <br /></p><p>

</p><p><img alt="TownsendWalker.jpg" src="http://flashfiction.net/TownsendWalker.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="300" width="225" /><b><br /></b></p><p><b>Townsend Walke</b>r is a writer living in San Francisco.  His stories have been published in over forty literary journals and included in six anthologies.  Two stories have been nominated for the PEN/O.Henry Award.  Four stories were performed at the New Short Fiction Series in Hollywood.  Next September a collection<em> A Little Love, A Little Shove: Stories</em> will be published by Shelfstealers.  His website is <a href="http://www.townsendwalker.com/">www.townsendwalker.com</a>.</p><br clear="all" />
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For further reading, check out FlashFiction.Net's suggested readings of flash fiction and prose poetry collections, anthologies, and craft books, by clicking <a href="http://astore.amazon.com/flashnet0a-20/">here</a>.
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<entry>
    <title>Craft: 21 Things I Try To Do in Writing Flash Fiction</title>
    <link rel="alternate" type="text/html" href="http://flashfiction.net/2011/11/flash-craft-21-things-i-try-to-do-in-writing-one-kind-of-flash.php" />
    <id>tag:flashfiction.net,2011://1.426</id>

    <published>2011-11-17T12:09:17Z</published>
    <updated>2011-11-07T14:58:07Z</updated>

    <summary>A list of 21 aspects of flash fiction, not all flash fiction, but a particular kind.</summary>
    <author>
        <name>Randall Brown</name>
        <uri>http://flashfiction.net/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1&amp;id=1</uri>
    </author>
    
        <category term="Flash Craft" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="flashfictioncraft" label="flash fiction craft" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://flashfiction.net/">
        <![CDATA[There are, of course, <b>many ways to write flash fiction,</b> but below is a listing of one way to think of narrative flash fiction&#8212;as a listing of things that I try to do in writing a certain kind of flash. Maybe such a listing will be helpful to those writing and/or teaching flash fiction. Maybe not. In any case, here it is:
<br /><br />[<b>Note</b>: In creating this list, I've borrowed phrases and qualities from the wide variety of sources I've read regarding writing (very) short fiction, and I can't quite remember them all. Especially helpful was Douglas Glover's essay that appeared in <em>The New Quarterly</em> on "Short Story Structure" and the writing guidebook from Pamela Painter, <em>What If</em>.]<br /><br /><ol><b><br />
	<blockquote></b><li><b>Dialogue</b>.  Lively. Interesting. "Not answering."&nbsp;  </li><br />
	<li><b>Language</b>. Charged. Compressed. Specific. Detailed. Fresh. Cliché free.</li><br />
	<li><b>Grammar</b>. Modern. Not distracting. Correct.</li><br />
	<li><b>Style</b>. The diction is organic to the story/character w/o sense of authorial interruptions &amp; filters.</li><b><br />
	</b><li><b>Sentences</b>. Varied. Important things last (creating tension/suspense). Sentences support narrative (the sentences rock like the character's experience on a boat, for example).</li><br />
	<li><b>Implication</b>. Conscious of what doesn't need to be said overtly.</li><br />
	<li><b>Synecdoche</b>. The one moment, word, image, descriptive characteristic is used to create strong writing free of wishy-washiness. </li><b><br /></b>
	<li><b>conflict</b> acts at the thesis at the center of the flash </li><br />
	<li>the <b>conflict/desires</b> are original, creative, meaningful</li><br />
	<li>every element <b>embodies the conflict</b>; conflict is way the "idea" gets developed &amp; deepens </li><br />
	<li><b>figurative language/imagery</b> is appropriate, connected, defamiliar<br /></li><br />
	<li>specific, numerous <b>details</b> that make reader "believe" </li><br />
	<li>uses <b>image patterns</b>; repetitions of words, thematic topics, motifs, images, and memories;  "act of questioning"</li><br />
	<li><b>Newness</b>. Decisions&#8212;setting, action, dialogue, words, etc.&#8212;feel original.</li><br />
	<li><b>Profundity</b>. What's figured out is meaningful, new, emotionally-packed.</li><br />
	<li>opposing <b>actions/intentions developed throughout</b> using "story" structure (the "formula"), yet has enough "difference" to satisfy readers' desire for continual surprise<br /></li><br />
	<li><b>beginning</b>: in medias res; engaging; clear conflict; charged; reader isn't confused </li><br />
	<li><b>scene/action</b>: the conflict occurs through a series of ACTIONS that force character to deal with pressing issue(s) that are both external and internal<br /></li><b><br /></b>
	<li><b>dialogue</b>: something people are trying to do to each other.<br /></li><br />
	<li><b>narration</b>: a movement from place to place using challenging obstacles to deepen conflict, get character closer to the "truth," create tension and urgency, and raise the stakes.</li><br />
	<li><b>ending</b>: a non-Hollywood resolution to the beginning conflict (perhaps with a sense that there can be no gain without a commensurate loss); the sense that something important to character, writer, &amp; reader has been figured out.<br /></li><br />
</ol></blockquote>
<p>I put these 21 characteristics into 3 categories: 1-7, <b>the language and voice</b>; 8-15, <strong>the critical thinking</strong>; and 16-21, <strong>the structure and design</strong>.</p></p>]]>
        
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<entry>
    <title>Teaching: A Rubric for Assessing Critical Writing in a Creative Writing Class</title>
    <link rel="alternate" type="text/html" href="http://flashfiction.net/2011/11/teaching-a-rubric-for-assessing-critical-writing-in-a-creative-writing-class.php" />
    <id>tag:flashfiction.net,2011://1.429</id>

    <published>2011-11-15T14:07:17Z</published>
    <updated>2011-11-15T14:25:07Z</updated>

    <summary>A rubric for grading critical writing about flash fiction and short fiction.</summary>
    <author>
        <name>Randall Brown</name>
        <uri>http://flashfiction.net/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1&amp;id=1</uri>
    </author>
    
        <category term="Flash Craft" scheme="http://www.sixapart.com/ns/types#category" />
    
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    <content type="html" xml:lang="en" xml:base="http://flashfiction.net/">
        <![CDATA[In many creative writing classes, <b>critical writing complements the creative writing assignments</b>, with perhaps the most common type of critical writing the "reading as a writer" essay. Here, the writer analyzes a published story by focusing on how an author achieves success with either a single technique or various techniques. For example, on this blog, I recently wrote <a href="http://flashfiction.net/2011/11/craft-image-patterns-in-dambrosios-the-point.php">an article about how Charles D'Ambrosio achieves success with image patterning in his story "The Point." 
</a><p></p><p>&nbsp;</p><p>
<b>Below is a rubric I use for the grading of such essays</b>. The five <i>domains (context &amp; purpose for writing,</i> <i>content developmen</i>t, <i>genre &amp; disciplinary conventions</i>, <i>sources &amp; evidence</i>, and <i>control of syntax &amp; mechanics</i>) came from a writing rubric from the Association of American Colleges and Universities. The grade of 4 for each domain includes 3 characteristics; the grade of 3 results from a problem with 1 of these characteristics; the grade of 2, with 2 of the 3 characteristics; the grade of 3, with problems with all 3 characteristics. Here is the rubric:
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<img alt="Critical Thinking Rubric.jpg" src="http://flashfiction.net/Critical%20Thinking%20Rubric.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="287" width="562" /> </p><div><br /></div>

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Download file here--> <a href="http://flashfiction.net/Critical%20Writing%20Rubric.pdf">Critical Writing Rubric.pdf</a>
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For further reading, check out FlashFiction.Net's suggested readings of flash fiction and prose poetry collections, anthologies, and craft books, by clicking <a href="http://astore.amazon.com/flashnet0a-20/">here</a>.
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